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He made all kinds of animals that travel on the ground. When he made the big-horn with its great horns, he put it out on the prairie. It did not seem to travel easily there; it was awkward and could not go fast, so he took it by one of its horns and led it up into the rough hills and among the rocks, and let it go there, and it skipped about among the cliffs and easily went up fearful places. So Old Man said to the big-horn, "This is the place for you; this is what you are fitted for; the rough country and the mountains." While he was in the mountains he made the antelope, and turned it loose to see how it travelled. The antelope ran so fast that it fell over some rocks and hurt itself. He saw that this would not do, and took the antelope down on the prairie and set it free there, and it ran away fast and gracefully, and he said to it, "This is the place that suits you.",

When she made him this little trustful speech, however, he had felt some embarrassment, and had turned his attention upon a little muddy boy who was playing pitch-and-toss, irrespective of consequences, on the other side of the way.,

"How can I go," he says, without daring to look at her, "until, at least, I ask for forgiveness?" He feels more nervous, more crushed in the presence of this little wounded Irish girl with her pride and her grief, than he has ever felt in the presence of an offended fashionable beauty full of airs and caprices. "Mona, love makes one cruel: I ask you to remember that, because it is my only excuse," he says, warmly. "Don't condemn me altogether; but forgive me once more.",

Now during this day there had been blowing a warm wind which had melted the snow, so that the prairie was covered with water, yet this young man's moccasins and leggings were dry. They saw this, and were frightened. They sat there for a long time, saying nothing.

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"Go back again, miss," he says, with much excitement. "They've brought him home, an' he's bad to look at. I've seed him, an' it's given me a turn I won't forget in a hurry. Go home, I tell ye. 'Tis a sight not fit for the eyes of the likes of you.",

Quite near to the poor corpse, a woman sits, young, apparently, and with a handsome figure, though now it is bent and bowed with grief. She is dressed in the ordinary garb of the Irish peasant, with a short gown well tucked up, naked feet, and the sleeves of her dress pushed upwards until they almost reach the shoulder, showing the shapely arm and the small hand that, as a rule, belong to the daughters of Erin and betray the existence of the Spanish blood that in days gone by mingled with theirs.,

Mona is, however, by no means disconcerted; she lifts her calm eyes to Nolly's, and answers him without even a blush.,

"Mona! Are you crying for me?" says Paul Rodney, as though surprised. "Do not. Your tears hurt me more than this wound that has done me to death."